Difference between revisions of "Film Path"
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| − | The ''Film Path'' is the route that the film takes through the projectors whilst being projected. As such, it is imperative that all projectionists know this in detail, as any incorrect lacing can result in a loss of presentation quality and even cause significant damage to the film itself. |
+ | [[Image:P2 Fully Laced.jpg|thumb|A fully-laced WSC projector]]The ''Film Path'' is the route that the film takes through the projectors whilst being projected. As such, it is imperative that all projectionists know this in detail, as any incorrect lacing can result in a loss of presentation quality and even cause significant damage to the film itself. |
Warwick Student Cinema operates two ''Cinemeccanica Victoria 8'' combined 35mm/70mm projectors. The lacing is identical on each and the focus here shall be on the lacing of 35mm film. |
Warwick Student Cinema operates two ''Cinemeccanica Victoria 8'' combined 35mm/70mm projectors. The lacing is identical on each and the focus here shall be on the lacing of 35mm film. |
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From the point of entry to the projector, lacing is identical for all 35mm films, regardless of the picture format and sound system used. Details of lacing above the casing will be given below for DTS and SDDS soundtracks. |
From the point of entry to the projector, lacing is identical for all 35mm films, regardless of the picture format and sound system used. Details of lacing above the casing will be given below for DTS and SDDS soundtracks. |
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| + | [[Image:Projector_lacing_path_numbered.jpg|thumb|Projector lacing path ]] |
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The image to the right shows one of the projectors, with a red line indicating the film path from the first roller at the entrance to the casing, to the last roller before the take-up spool. The numbered sections are the following: |
The image to the right shows one of the projectors, with a red line indicating the film path from the first roller at the entrance to the casing, to the last roller before the take-up spool. The numbered sections are the following: |
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| − | + | # The entry roller to the projector casing. This is a dual 35mm/70mm roller, so you must check that the 35mm film is sitting in the 35mm groove. |
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| + | # The first sprockets and arm. The film needs to properly on the sprockets. Once laced, tension the pay-out reel. If you open the arm the film should remain stationary, indicating that it is nicely on the sprockets. If the film is not on the sprockets properly, then opening this arm will cause the film to move. Adjustments at these sprockets determine the size of the ''top loop''. The arm must be closed when projecting. |
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| + | # The ''top loop'' is key in several ways. It is important to have this the right size (the qualified projectionist will show you this!) in order to keep the picture and sound in sync if playing in DTS or SDDS. Also, this loop trips the safety arm above it if the film snaps at the top of the gate. |
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| + | # The film passes through the ''gate'' between the runners and the back-plate. It must be sitting smoothly between the two if it is to run without problems. |
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| + | # The ''intermittent''. This is sprocket that pulls through whole frames of film at a time. It must be set before positioning the film in the gate, so that it is about to pull the film down by a frame. The arm must be closed when projecting. |
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| + | # The ''bottom loop'' (size to be shown by the projectionist) must be correct once the intermittant has been set. This is required for sync of sound (SRD or SR) with picture, and the smooth running of the film. If the loop is too small then the sound will be scratchy. |
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| + | # The film wraps around the large silver bell, and it is here that the Dolby Digital and Stereo soundtracks are read. The film must be sitting in the 35mm groove, beneath the liftable arm. |
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| + | # The last sprockets before the film exits the projector casing. Adjustments at these sprockets determine the size of the ''bottom loop''. |
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| + | # The film exits down the left hand side of this roller before wrapping around the take up spool. |
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| + | == DTS == |
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| − | '''2.''' The first sprockets and arm. The film needs to properly on the sprockets. Once laced, tension the pay-out reel. If you open the arm the film should remain stationary, indicating that it is nicely on the sprockets. If the film is not on the sprockets properly, then opening this arm will cause the film to move. Adjustments at these sprockets determine the size of the ''top loop''. The arm must be closed when projecting. |
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| + | [[Image:DTS_Reader_Lacing_Path.jpg|thumb|DTS Lacing Path]] |
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| − | '''3.''' The ''top loop'' is key in several ways. It is important to have this the right size (the qualified projectionist will show you this!) in order to keep the picture and sound in sync if playing in DTS or SDDS. Also, this loop trips the safety arm above it if the film snaps at the top of the gate. |
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| + | After coming off the take-up spool, the film goes over the top roller before passing down the left hand side of both of the 35mm/70mm combined rollers of the SDDS unit, as per lacing for SRD or SR. |
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| + | The lacing for DTS is shown in the diagram to the right. |
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| − | '''4.''' The film passes through the ''gate'' between the runners and the back-plate. It must be sitting smoothly between the two if it is to run without problems. |
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| + | Reader offset: |
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| − | '''5.''' The ''intermittant''. This is sprocket that pulls through whole frames of film at a time. It must be set before positioning the film in the gate, so that it is about to pull the film down by a frame. The arm must be closed when projecting. |
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| + | * 35mm: 64 frames |
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| − | '''6.''' The ''bottom loop'' (size to be shown by the projectionist) must be correct once the intermittant has been set. This is required for sync of sound (SRD or SR) with picture, and the smooth running of the film. If the loop is too small then the sound will be scratchy. |
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| + | * 70mm: 46 frames |
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| + | == Current SDDS 3000 Readers == |
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| − | '''7.''' The film wraps around the large silver bell, and it is here that the Dolby Digital and Stereo soundtracks are read. The film must be sitting in the 35mm groove, beneath the liftable arm. |
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| + | The SDDS DFP-R3000 is a lot simpler to lace than the older SDDS readers! The reader is marked with a diagram that makes the path mostly self-explanatory, however do remember: |
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| − | '''8.''' The last sprockets before the film exits the projector casing. Adjustments at these sprockets determine the size of the ''bottom loop''. |
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| + | # The arm must be closed properly to hold the film onto the sprocket. |
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| + | # Do not lace the third roller of the spacing plate immediately below the reader, and instead continue to lace the DTS reader as shown. |
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| + | # The LEDs won't illuminate unless the sprocket is turning (i.e. the reader is laced and film is running) in order to conserve their life. |
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| + | [[Image:Sdds_3000_lacing_path.jpg|thumb|SDDS 3000 reader lacing path]] |
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| − | '''9.''' The film exits down the left hand side of this roller before wrapping around the take up spool. |
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| + | The DTS reader must be correctly laced (as shown previously) to maintain sound sync. However, this reader can be bypassed if not using SDDS, which won't affect sound sync for any format. |
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| − | == DTS == |
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| + | When lacing subsequent reels after the first of a film playing in SDDS, '''do not''' use the motor to "run down" the header – the SDDS processor (when playing in SDDS) changes over based only on the motor start contact closure and ignores signals from the P1/P2 changeover buttons, and so doing this will cause the processor to changeover too early and thus drop out of SDDS for the remainder of the reel. |
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| − | After coming off the take-up spool, the film goes over the top roller before passing down the left hand side of both of the 35mm/70mm combined rollers of the SDDS unit, as per lacing for SRD or SR. |
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| + | Reader offset: 71 frames + 20ms |
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| − | The lacing for DTS is shown in the diagram to the right. |
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| + | DFP-D3000 serial number: 11892 |
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| − | == SDDS == |
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| + | == Old SDDS 2000 Readers == |
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| + | |||
| + | [[Image:SDDS_lacing_path_illustrated.jpg|thumb|SDDS 2000 reader lacing path ]] |
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After coming off the take-up spool, the film goes over the top roller before getting to the SDDS unit. The first and last rollers of the unit are both 35mm/70mm combined rollers which are normally passed on the left when not lacing SDDS. |
After coming off the take-up spool, the film goes over the top roller before getting to the SDDS unit. The first and last rollers of the unit are both 35mm/70mm combined rollers which are normally passed on the left when not lacing SDDS. |
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SDDS is laced as per the image to the right (which mimics the blue line on the units), with the following key points: |
SDDS is laced as per the image to the right (which mimics the blue line on the units), with the following key points: |
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| − | + | # The ''top arm'' must be closed with the film properly on the sprockets. This is used to set the ''tension level''. |
|
| + | # The film must go around this roller with both of its edges slightly protruding from the roller. This is due to the sound readers for each of the two SDDS strips being placed here, to read the code on the edges of the film. |
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| − | |||
| + | # The ''bottom arm'' must be closed with the film properly on the sprockets. This is used to set the ''tension level''. |
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| − | '''2.''' The film must go around this roller with both of its edges slightly protruding from the roller. This is due to the sound readers for each of the two SDDS strips being placed here, to read the code on the edges of the film. |
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| + | # The ''tension level'' is an indicator of whether or not the tension is correct when passing around the SDDS reader (LEDs located at roller - 2.). The line moves up and down dependent upon the amount of film between the ''top arm'' and ''bottom arm'' and the film should be adjusted at these arms until the movable red line is level with the tip of the red triangle. |
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| − | |||
| − | '''3.''' The ''bottom arm'' must be closed with the film properly on the sprockets. This is used to set the ''tension level''. |
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| − | |||
| − | '''4.''' The ''tension level'' is an indicator of whether or not the tension is correct when passing around the SDDS reader (LEDs located at roller - 2.). The line moves up and down dependent upon the amount of film between the ''top arm'' and ''bottom arm'' and the film should be adjusted at these arms until the movable red line is level with the tip of the red triangle. |
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After leaving the SDDS unit, the film '''must''' loop around the top DTS roller before entering the projector casing. Failure to do this will result in the picture and sound being out of sync, as well as the likely scratching of the film on the edge of the SDDS unit. |
After leaving the SDDS unit, the film '''must''' loop around the top DTS roller before entering the projector casing. Failure to do this will result in the picture and sound being out of sync, as well as the likely scratching of the film on the edge of the SDDS unit. |
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[[ Category:Proj ]] |
[[ Category:Proj ]] |
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| + | [[Category:ProjectionManual]] |
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Latest revision as of 23:11, 6 March 2019
The Film Path is the route that the film takes through the projectors whilst being projected. As such, it is imperative that all projectionists know this in detail, as any incorrect lacing can result in a loss of presentation quality and even cause significant damage to the film itself.
Warwick Student Cinema operates two Cinemeccanica Victoria 8 combined 35mm/70mm projectors. The lacing is identical on each and the focus here shall be on the lacing of 35mm film.
Contents
Standard Lacing
All 35mm films need to be projected with the soundtrack towards you. If the film has been made-up correctly then this will result in the film coming off the top of the pay-out spool.
For a Dolby Digital (SRD), Stereo (SR) or Mono film, the film then passes down the left hand side of both of the 35mm/70mm combined rollers of the SDDS unit. The next roller used is the top left roller of the DTS unit, after which the film passes to the joint 35mm/70mm roller at the top of the projector casing.
Within the Projector
From the point of entry to the projector, lacing is identical for all 35mm films, regardless of the picture format and sound system used. Details of lacing above the casing will be given below for DTS and SDDS soundtracks.
The image to the right shows one of the projectors, with a red line indicating the film path from the first roller at the entrance to the casing, to the last roller before the take-up spool. The numbered sections are the following:
- The entry roller to the projector casing. This is a dual 35mm/70mm roller, so you must check that the 35mm film is sitting in the 35mm groove.
- The first sprockets and arm. The film needs to properly on the sprockets. Once laced, tension the pay-out reel. If you open the arm the film should remain stationary, indicating that it is nicely on the sprockets. If the film is not on the sprockets properly, then opening this arm will cause the film to move. Adjustments at these sprockets determine the size of the top loop. The arm must be closed when projecting.
- The top loop is key in several ways. It is important to have this the right size (the qualified projectionist will show you this!) in order to keep the picture and sound in sync if playing in DTS or SDDS. Also, this loop trips the safety arm above it if the film snaps at the top of the gate.
- The film passes through the gate between the runners and the back-plate. It must be sitting smoothly between the two if it is to run without problems.
- The intermittent. This is sprocket that pulls through whole frames of film at a time. It must be set before positioning the film in the gate, so that it is about to pull the film down by a frame. The arm must be closed when projecting.
- The bottom loop (size to be shown by the projectionist) must be correct once the intermittant has been set. This is required for sync of sound (SRD or SR) with picture, and the smooth running of the film. If the loop is too small then the sound will be scratchy.
- The film wraps around the large silver bell, and it is here that the Dolby Digital and Stereo soundtracks are read. The film must be sitting in the 35mm groove, beneath the liftable arm.
- The last sprockets before the film exits the projector casing. Adjustments at these sprockets determine the size of the bottom loop.
- The film exits down the left hand side of this roller before wrapping around the take up spool.
DTS
After coming off the take-up spool, the film goes over the top roller before passing down the left hand side of both of the 35mm/70mm combined rollers of the SDDS unit, as per lacing for SRD or SR.
The lacing for DTS is shown in the diagram to the right.
Reader offset:
- 35mm: 64 frames
- 70mm: 46 frames
Current SDDS 3000 Readers
The SDDS DFP-R3000 is a lot simpler to lace than the older SDDS readers! The reader is marked with a diagram that makes the path mostly self-explanatory, however do remember:
- The arm must be closed properly to hold the film onto the sprocket.
- Do not lace the third roller of the spacing plate immediately below the reader, and instead continue to lace the DTS reader as shown.
- The LEDs won't illuminate unless the sprocket is turning (i.e. the reader is laced and film is running) in order to conserve their life.
The DTS reader must be correctly laced (as shown previously) to maintain sound sync. However, this reader can be bypassed if not using SDDS, which won't affect sound sync for any format.
When lacing subsequent reels after the first of a film playing in SDDS, do not use the motor to "run down" the header – the SDDS processor (when playing in SDDS) changes over based only on the motor start contact closure and ignores signals from the P1/P2 changeover buttons, and so doing this will cause the processor to changeover too early and thus drop out of SDDS for the remainder of the reel.
Reader offset: 71 frames + 20ms
DFP-D3000 serial number: 11892
Old SDDS 2000 Readers
After coming off the take-up spool, the film goes over the top roller before getting to the SDDS unit. The first and last rollers of the unit are both 35mm/70mm combined rollers which are normally passed on the left when not lacing SDDS.
SDDS is laced as per the image to the right (which mimics the blue line on the units), with the following key points:
- The top arm must be closed with the film properly on the sprockets. This is used to set the tension level.
- The film must go around this roller with both of its edges slightly protruding from the roller. This is due to the sound readers for each of the two SDDS strips being placed here, to read the code on the edges of the film.
- The bottom arm must be closed with the film properly on the sprockets. This is used to set the tension level.
- The tension level is an indicator of whether or not the tension is correct when passing around the SDDS reader (LEDs located at roller - 2.). The line moves up and down dependent upon the amount of film between the top arm and bottom arm and the film should be adjusted at these arms until the movable red line is level with the tip of the red triangle.
After leaving the SDDS unit, the film must loop around the top DTS roller before entering the projector casing. Failure to do this will result in the picture and sound being out of sync, as well as the likely scratching of the film on the edge of the SDDS unit.
